Cameras

Inserting Colour into Your Photography

When it comes to expressing colour in photos, many photographers opt to maximise this through post processing in the editing room. The reason being, it’s not uncommon to experience moments where you have sunny conditions but the colours appear looking washed out. What’s the trick to extracting colours from your surroundings and inserting them into your photos? As we detailed previously, the best time of the day for shooting is during the golden hour. Sunlight is soft and warm, whereas that during the middle of the day is a lot more harsh and desaturated. That’s also assuming the sun is on your side. If instead you’re faced with overcast conditions, the results may be even duller. With this in mind, you really should strive to capture your shots during the golden hour when light from the sun is diffused more due to the longer distance it must travel through the… | Read the full article


8 Things Photographers Hate

Photographers are generally considered a tolerant bunch. What with an endless number of amateurs devaluing the work of professionals, patience and persistence are defining traits of a successful photographer. Having said that, there are an assortment of things that make photographers want to tear their hair out. No doubt you’ve experienced some of these, or others, but let’s glance over the worst offenders.   Hearing How ‘Easy’ it must be to Take Photos for a Living There’s nothing easy at all when it comes to being a photographer. Boundless competition, price pressure, difficulties securing long-term clients, a general underappreciation of the industry – the list goes on. But just because a photographer happens to follow their passion and enjoy what they do, it doesn’t mean it’s an easy job.   Praise for Your Camera This one is all too common. Photographers should and do take great pride in their abilities… | Read the full article


An Outdoor Photographer’s Paradox

As a photographer, the tendency is to be prepared for every occasion. We learn throughout the early stages of our career that it is good business practice to be equipped with a wide range of photography equipment. We also come to realise that we shouldn’t be reliant on our photography gear, or seek to upgrade gear just for the sake of it. Instead, our artistic vision and creativity is more pertinent. However, despite this careful balance of judgement, there’s another paradox we should consider. Namely, our frustration with certain pieces of equipment that are designed to make our jobs easier. Let’s look at some of the biggest culprits, but also remind ourselves why we should persevere using them.   Strobe Lights, Softboxes and Umbrellas In the studio, these items are akin to set and forget type instruments. Sure, they require tweaks and configurations, but their use is still fairly straightforward…. | Read the full article


Travelling With Your Photography Gear

As a professional photographer, getting around with all your equipment is no easy feat. Once you start to travel for work, or take your gear with you on your travels, this difficulty is only compounded further. Not only do you have to be mindful about packing fragile equipment, but you face constraints surrounding the size and weight of your luggage. However, despite these irritating factors, there are certain things you can do to reduce the inconvenience you face.   What to Take Of course, deciding what to take depends on the exact nature of your trip and whether it is strictly for business, or pleasure as well. With that said, opt for versatility and functionality rather than taking every single piece of equipment in your possession. You’re better served by taking fewer lenses, ideally zoom lenses which are adaptable. What is sometimes overlooked from the packing process is cleaning materials…. | Read the full article


Tips for Macro Photography

There are times where you just want to incorporate that little bit extra detail into your photos. Macro photography is the perfect approach, while also a thoroughly challenging and enjoyable experience. Naturally, the process is all about a close up, but is macro photography really as straightforward as that? No, not really, but take heed of these points and you’ll deliver impressive results.   Use a suitable support If you’re using a regular lens, one of the difficult aspects when shooting close ups at ground level is ensuring the camera remains steady. Rather than trying to find a support for your hands or body, instead consider one for your camera. For example, specialty tripods or even cushions and beanbags can be great as props to minimise any movement. Similarly, where appropriate, you can use one of your hands or a purpose made device to steady the object that you are… | Read the full article


Tips for Low Light Photography

As any photographer would know, it’s important to be versatile. Not only with one’s style of photography, but for the conditions with which they work. This includes low light conditions, which may be attributable to shooting: outdoors at night, indoors, or where there are varying sources of low–intensity light on offer. What’s more, low light photography skills are necessary for a variety of photographers, including those working with portraits, weddings and landscapes. Of course, a flash would appear a logical solution to deal with low light conditions. However, it’s not necessarily a fix that works in every situation. You see, a flash device, particularly when integrated into a camera, can sometimes result in a flat looking picture by compressing image depth. There are also the complications that come with a flash being distracting to the subject of a photo, as well as the potential need to set up and configure… | Read the full article


4 Things to Avoid When Shooting Portraits

In just about every photographer’s career they try their hand at portraits. Whether it’s for personal or professional purposes, it’s a form of photography that can complement one’s skillset given its emphasis on lighting, composition and the like. However, despite being commonplace, it’s not unusual to see photographers make the same mistakes. Here are 4 things to avoid when shooting portraits.   Distracting the viewer It might come as a surprise how many photographers try to incorporate too much external detail into their portrait shots. One of the biggest faux pas in this area is a ‘busy’ setting. While there are ways to incorporate a subject into a lively environment and still make them the focal point of the shot, it’s far from easy. Playing it safe and blurring the background via depth of field, or opting for neutral backgrounds is a sure way to maintain the viewer’s attention. Alternatively,… | Read the full article


Shooting in Black and White

While at times some might question the purpose of black and white shots when one has a full colour spectrum to utilise, there can be no denying the impact that can be created when shooting in this style. In part this can be attributed to the finer details of a photo that are allowed to shine through. In broader consideration however, removing colour is better means to draw attention to focal points. You can take note of these key aspects to make the most of your black and white photography.     Select your shots carefully Just like certain settings or lighting conditions favour some type of work, it’s important to ensure your work fits in with a black and white style. The biggest attribute of monochromatic photos is the texture and shape they take on from their appearance. This won’t be appropriate in every situation, particularly instances where you… | Read the full article


Natural Lighting vs Artificial Lighting

It’s an inevitable decision for just about every photographer at some point, particularly portrait photographers – should they use natural lighting, or artificial lighting? Of course, this is often a personal decision and one that photographers would choose for a variety of reasons depending on their circumstances. With that said, what exactly are the differences when shooting with the two different sources of lighting?   Natural lighting that offered by way of the sun and the moon, is a readily available, free and accessible source for photographers to work with. There is no requirement to purchase significant gear or equipment. The exception to this might be diffusers and reflectors, which are designed to distort or enhance natural lighting – these are considerably cheaper than actual sources of lighting like strobes, LEDs and the like. Using natural light is also a great starting point for photographers looking to gauge and comprehend… | Read the full article


The Magnetism of Film

Despite being down and out for the best part of more than a decade, film photography and its ardent supporters refuse to roll over and let the format become a footnote in the chapters of history. In fact, we’ve seen a resurgence from the format in recent times, despite the fact film accounts for only a fraction of the market it once occupied. Even some of the industry’s heavyweights have moved to back film again, with the likes of Kodak announcing a return for film to its line-up.   Whereas once upon a time film was born out of necessity rather than choice, an emerging trend has been for younger photographers, who never had exposure to the format, to experiment with it and the associated manual processes as a way to adjust their style and spark their creativity. Therefore, with effectively a new target audience, film is finding a foothold… | Read the full article